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Six Secrets of Ukulele Fingering

Author: Curt Sheller
Publisher: Curt Sheller Publications - (42 pages)
Published: March 2006
ISBN-10: 1-60321-041-5
ISBN-13: 978-1-60321-041-6
Size: 8.5 x 11
Product Code: 6SUF

Learn the six fingering principles to navigating the ukulele fingerboard.

Fingering is one of the most universal topics. Whether your style is Rock, Blues, Country, Jazz or Classical, these principles will improve your technique, your solos, even your sight reading.

Think of fingering as a series of pathways. When you learn to connect these pathways, there are benefits not only to technique but also to creativity. All fingering on the ukulele can be reduced to 6 principles of motion. Each principle has physical and musical characteristics that you can use to improve your playing.

Technically, fingering problems are linked to an instruments tuning. The characteristics of a tuning can force constant adjustments in fingering and contribute to the difficulty of learning the notes on the neck*. Note duplications, open strings and unequal tuning all contribute to the complexity of fingering. Since strings vary in diameter, notes produced on different strings vary in tone color. Generally, thicker strings produce warmer or darker tone color. Thinner strings produce a brighter or more cutting tone color.

This book is devoted to the application of the six principles of guitar fingering as applied to the ukulele. The study of fingering can be broken down into several topics of study. They are: position and technique, finger independence and strength and the principles of motion with their applications. The first step is a good hand position. Critical for technique, a good hand position eliminates the needless waste of effort and energy so typical of under developed fingering technique.

  • The fingering principles in the books are suitable for ANY ukulele tuning.

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  • Introduction 5
  • Hand Position and Technique 9
  • Finger Independence and Strength 10
    • 4 Finger Combinations 11
    • 2 Finger Combinations 11
    • 3 Finger Combinations 11
  • Notes on the Fingerboard 12
  • Motion Principles and their Applications 13
    • Stationary 14
    • Mobile 14
  • Summary of Fingering Principles 17
  • Basic Applications of the Motion Principles 18
  • Priority of Motion Principles 19
  • Motion Principles – the Details 19
    • Basic 19
    • Slide 19
    • Pass 20
  • Ascending Passes 20
  • Descending Passes 21
    • Contraction 23
  • Ascending Pitch Contractions 23
    • Descending Position Changes - Same String 23
  • Descending Pitch Contractions 24
    • Ascending Position Changes - Same String 24
  • Ascending Pitch Contractions 25
    • Descending Position Changes - Cross String 25
  • Descending Pitch Contractions 25
    • Ascending Position Changes - Cross String 25
  • Stretch 27
  • Leap 29
  • Double Stop Fingering 30
    • Double Stops on Adjacent Strings 30
  • Non Adjacent Strings 31
    • Motion Principles Applied 33
  • Model One – Single Principle Solutions 34
    • Basic 34
    • Slide 34
    • Passing 34
    • Stretch 35
    • Contraction 35
    • Leap 35
  • Model Two – Combined Principle Solutions 35
    • Slide and Stretch 35
    • Passing and Slide 35
    • Contraction and Passing 36
    • Stretch and Contraction.36
    • Slide and Contraction.36
    • Passing and Leap 36
  • The Art and Science of Fingering 36
  • Reading 38
  • Improvisation 38
    • Phrasing 40
  • Conclusion 41

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Scale Fingering Chart

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Interval Fingering Chart

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Arpeggio Fingering Chart

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Sequence Fingering Chart

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