Basic and Quick Change blues chord progressions in the key of A major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of Bb major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of C major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of D major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of E major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of F major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of G major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

An alternate approach to determining the chord tones of any chord. Bottom-line is, it's the notes that make the chord - not the shape. A C chord is C, E, G,. Not this or that shape.

Common chord progressions for the key of A.

Common chord progressions for the key of Ab.

Common chord progressions for the key of B.

Common chord progressions for the key of Bb.

Common chord progressions in C Major.

Common chord progressions for the key of C#.

Common chord progressions for the key of Cb.

Common chord progressions for the key of D.

Common chord progressions for the key of Db.

Common chord progressions for the key of E.

Common chord progressions for the key of Eb.

Common chord progressions for the key of F.

Common chord progressions for the key of F#.

Common chord progressions for the key of G.

Cut Time is a source of confusion for many musicians. What exactly does it mean and how do you apply it?

Ear Training is the development of the active and passive capability to relate to music aurally. This includes the ability to recognize melodic and harmonic intervals, chords, chords progressions, rhythm, melody and harmony.

An Enharmonic Equivalent is where a musical pitch can have different names depending on the context in which it is functioning. An example is G# produces the same pitch as Ab.

Harmonic Analysis is the process of determining the root movement of chords within a chord progression, the chord types that are used as well as identifying tonal centers. This root movement can be determined and categorized using one of six harmonic principles and the harmonized chord charts reference in the lessons. These six harmonic principles are covered in the lessons of this series.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Chromatic harmonic principle.

HARMONIC ANALYSIS for Scale Selection and Chord Substitution explored the six harmonic principles for analyzing chord progressions and songs using tradition tonic-dominant harmony and the scale modes.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Cycles harmonic principle.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Full Diatonic harmonic principle.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Internal Modulation harmonic principle.

Harmonic Analysis (HA) is the process used to determine the harmonic function of chords within a chord progression, sequence, composition or song. A chord progression is defined as a sequence of chords, each chord has a root and has a particular chord type.

Major and Minor Harmonized Chord Charts used for while doing a Harmonic Analysis. Shows triads and 4-parts chords for ALL 15 major and minor keys.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the partial Diatonic harmonic principle.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the vertical and horizontal scale selection.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Unresolved harmonic principle.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson contains a blank worksheet and several completed examples using standards from the jazz repertoire.

Harmonic Analysis (HA) is the process used to determine the harmonic function of chords within a chord progression, sequence, composition or song. A chord progression is defined as a sequence of chords, each chord has a root and has a particular chord type.

This series of lessons are extracted from my book for use with individual private and onlne students.

There is a load of information in traditional Key Signatures. Unlocking the principles in this circle leads to a better understanding of music and how think work.

A key signature is a series of sharp or flat symbols placed on the staff, designating the notes that are to be consistently played higher or lower than the equivalent natural notes. Key signatures are generally written immediately after the clef at the beginning of a line of musical notation. Each major and minor key has an associated key signature that sharpens or flattens the notes which are used in its scale.

A major (or the key of A) is a major scale based on A, with the pitches A, B, C♯, D, E, F♯, and G♯. Its key signature has three sharps: F♯, C♯ and G♯.

Its relative minor is F-sharp minor and its parallel minor is A minor.

A♭ major is a major scale based on A-flat, consisting of the pitches A♭, B♭, C, D♭, E♭, F, and G. Its key signature has four flats: B♭, E♭, A♭, and D♭.

Its relative minor is F minor, and its parallel minor is A-flat minor.

B major is a major scale based on B. The pitches B, C♯, D♯, E, F♯, G♯, and A♯ are all part of the B major scale. Its key signature has five sharps: F♯, C♯, G♯, D♯ and A♯.

B major's relative minor is G-sharp minor, its parallel minor is B minor, and its enharmonic equivalent is C-flat major.

B♭ major or B-flat major is a major scale based on B-flat, consisting of the pitches B♭, C, D, E♭, F, G, and A. Its key signature has two flats, B♭ and E♭.

Its relative minor is G minor, and its parallel minor is B♭ minor.

B-flat major is a suitable key for most wind instruments, especially those for which it is their home key, such as clarinets, trumpets, tenor saxophone, soprano saxophone and the flutes in B-flat.

C♭ major is a major scale based on C-flat, consisting of the pitches C♭, D♭, E♭, F♭, G♭, A♭, and B♭. Its key signature has seven flats: B♭, E♭, A♭, D♭, G♭, C♭, and F♭.

C♭ major is a major scale based on C-flat, consisting of the pitches C♭, D♭, E♭, F♭, G♭, A♭, and B♭. Its key signature has seven flats: B♭, E♭, A♭, D♭, G♭, C♭, and F♭.

Learn the recognize the key signature for C Major and A Minor. Learn their corresponding Major and Natural Minor scales with basic ukulele chords for each scale. Sometimes called the learning key, the key of C Major is one of the easiest keys to memorize and begin using.

C♯ major (or C-sharp major) is a major scale based on C♯, consisting of the pitches C♯, D♯, E♯, F♯, G♯, A♯, and B♯. Its key signature has seven sharps: F♯, C♯, G♯, D♯, A♯, E♯ and B♯ - ALL sharps.

Its relative minor is A♯ minor, and its parallel minor is C♯ minor. Its enharmonic equivalent is D♭ major.

D♭ major is a major scale based on D-flat, consisting of the pitches D♭, E♭, F, G♭, A♭, B♭ and C. Its key signature has five flats: B♭, E♭, A♭, D♭, and G♭.

D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature consists of two sharps: F♯ and C♯.

Its relative minor is B minor and its parallel minor is D minor.

D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature consists of two sharps: F♯ and C♯.

Its relative minor is B minor and its parallel minor is D minor.

E major is a major scale based on E, with the pitches E, F♯, G♯, A, B, C♯, and D♯. Its key signature has four sharps: F♯, C♯, G♯ and D♯.

Its relative minor is C-sharp minor, and its parallel minor is E minor.

E♭ major or E-flat major is a major scale based on E-flat, consisting of the pitches E♭, F, G, A♭, B♭, C, and D. Its key signature has three flats: B♭, E♭, and A♭.

Its relative minor is C minor, and its parallel minor is E♭ minor.

E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage.

F major (or the key of F) is a musical major scale based on F, consisting of the pitches F, G, A, B♭, C, D, and E. Its key signature has one flat: B♭. It is by far the oldest key signature with an accidental, predating the others by hundreds of years.

Its relative minor is D minor and its parallel minor is F minor.

F♯ major or F-sharp major is a major scale based on F♯, consisting of the pitches F♯, G♯, A♯, B, C♯, D♯, and E♯. Its key signature has six sharps: F♯, C♯, G♯, D♯, A♯ and E♯.

Its relative minor is D♯ minor, and its parallel minor is F♯ minor. Its enharmonic equivalent is G♯ major.

G♭ major is a major scale based on G-flat, consisting of the pitches G♭, A♭, B♭, C♭, D♭, E♭, and F. Its key signature has six flats: B♭, E♭, A♭, D♭, G♭ and C♭.

Its relative minor is E-flat minor, and its parallel minor is G-flat minor, usually replaced by F-sharp minor, since G-flat minor, which would have nine flats, is not normally used.

Learn the recognize the key signature for G Major and E Minor. Learn their corresponding Major and Natural Minor scales with basic ukulele chords for each scale.

A art of hearing a melody or chord progression (song) and reproduce it without needing the written music.

Sequences and cycles for practicing scales, intervals, melodic sequences and arpeggios. These sequences also help in learning where any interval is of a given note, the chord tones of chords and aides in memorizing scales

Primary chords for the key of G.

Traditionally, a tetrachord is a series of four tones filling in the interval of a perfect fourth. In modern usage a tetrachord is any four-note segment of a scale or tone row. The term tetrachord derives from ancient Greek music theory.

An interval is the distance between two notes. An interval has a name and a type. Chromatic Intervals are NOT taken from a major scale. They are derived from the diatonic intervals

Inverting intervals using the Rule of Nine.

What is up, down, higher, lower, top, bottom, ascending, descending on a ukulele? Up, down, higher, lower, top, bottom, ascending, descending should refer to musical pitch and not to direction as we know it.