Common Chord Progressions and Sequences

This page lists common progressions and the very well known standard songs that use them.

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II V I and unresolved II V

Too numerous to actually list songs with this progression. The V to I, Dominant to Tonic chord movement IS the most common progression in western music. Occurs either major or minor. Examples: Dm7 G7 Cmaj7 (Major), Dm7b5 G7 Cm7 (Minor)

I VI II V

  • I Got Rhythmn
  • Blue Moon

Backdoor Changes

TRIGGER: I ↑P4 ur(II V) kc I

Based on the minor third substitution principle, a bVII7 is a substitute for a V chord. The II (IVm7 or IVm6) of the bVII is typical. A quasi II V Used to return to the key center after a IV chord. Can also be used unresolved

Returning to a I after a IV chord

  • A Foggy Day
  • All The Things You Are
  • Blue for Alice
  • Cherokee
  • Donna Lee
  • I've Grown Acoustomed to Her face
  • Just Friends
  • Just The Way You Are
  • Lil' Darlin
  • Meditation
  • Misty
  • Moon River
  • One Note Samba
  • There Will Never Be Another You
  • Wave

Sub for V or II V

  • Darn That Dream
  • Days of Wine and Roses
  • Embraceable You
  • Four
  • Groovin' High
  • On Green Dolphin Street
  • Over the Rainbow
  • Shadow of Your Smile (The)
  • Stardust
  • Summer Samba
  • Tenderly
  • When Sunny Gets Blue

Unresolved

I II7 II V

TRIGGER: I ↑ M2 7th prime II V I
V of II Secondary Dominant

  • Desafinado
  • Jersey Bounce
  • Take the 'A' Train
  • The Girl From Ipanema
  • Watch What Happens

Confimation Changes

TRIGGER: I ↓ m2 II V backcycle to IV

  • Blues for Alice
  • Confimation
  • Bluesette
  • Seven Steps to Heaven

Descending Whole Step Modulations

TRIGGER: II V I prime' II V I prime' II V ...

  • Afternoon in Paris
  • Alone Together
  • Bluesette
  • Call Me
  • Cherokee (bridge)
  • How High the Moon
  • Invitation (bridge)
  • Once I Loved
  • One Note Samba (bridge)
  • Recorda-Me
  • Solar
  • Tune Up
  • Watch What Happens (bridge)
  • Wave (bridge)
  • What Is This Thing Called Love

I I7 IV, I (II V of IV) IV, cadence to IV

TRIGGER: I ↑ P5 II V I
V of IV Seconday Dominant

  • I Got Ryhthm
  • Misty
  • Scrapple the Apple
  • Stompin' At The Savoy
  • Sweet Georgia Brown
  • The Flintstones Theme

Satin Doll Bridge

TRIGGER: ↑ P5 II V I ↑ M3 ur(II V) TB to kc

  • Satin Doll

Wave Bridge

TRIGGER: ↑ P5 II V I prime' II V I TB to kc

  • Love Man
  • One Note Samba
  • Tune Up
  • Wave

Piardy Third

TRIGGER: IIm7b5 V minor resolving to a major I

  • Bluesette
  • How High The Moon
  • What's New

Rhythm Changes

TRIGGER: I ↑ P5 II V I

  • Oleo
  • Scrapple the Apple
  • I Got Ryhthm
  • Stompin' At The Savoy
  • Sweet Georgia Brown
  • The Flintstones Theme

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