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Chord Spelling - An Alternate Approach
The quickest and most directly way to determine the chord tones of any chord are to use the scale degrees of its major scale. For a major triad the chord tones are the 1st, 3rd and 5th scale degrees of its major scale. For a minor triad you simply flat the 3rd.
For a C major chord the 1st, 3rd, and 5th of the C major scale (C D E F G A B C) are the C E and G. For C minor it's C Eb and G.
By memorizing one sequence of notes, your major scales and a few chord building rules we can learn to spell ANY chord.
The traditional approach, which is the way to go, is to learn the notes of individual chords based from the major scale of the root of the chord. For Cm11 the root is C, so the major scale is C major. For Bb7 the root is Bb and the major scale is Bb major.
By memorizing one sequence of notes, the major scales, i.e., key signatures) and a few chord building rules you can learn to spell ANY chord. The directions are actually built into the chord's name. This is a beneficial skill to have for harmonizing a melody with a chord and for improving your improvisations.

FACE and Every Good Boy Does Fine

You finally get to put you elementary school music class to practical use.
If you remember the names of the lines and spaces of the music staff you can spell any chord with a few of the tools in this lesson.
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Chord Spelling - An Alternate Approach
Lessons directly related to Chord Spelling - An Alternate Approach.
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| The Major Scale Not called the learning scale for a reason. The major scale is a great scale for learning how music and chords work. It's a core scale from which a majority of your core, essential scales can be derived. There are 15 major scales. |
Chord Spelling - An Alternate Approach
Books directly related to Chord Spelling - An Alternate Approach.
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Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution. |














