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Harmonic Analysis for Scale Selection and Chord Substitution
Author: Curt Sheller
Publisher: Curt Sheller Publications - (90 pages)
Published: January 01, 2003
ISBN-10: 0-9714044-2-9
ISBN-13: 978-0-9714044-2-7
Size: 8.5 x 11
Product Code: RMA1
Product Page: books/RMA1/index.php
If you ask, "When I'm playing a solo over a jazz song, how do I know which notes work at any point in the song?" then you may want to have a look at this book (Harmonic Anaylsis for Scale Selection and Chord Substitution)
You can glean this information from many sources, but this is a pithy, direct approach to the heart of the answer you're looking for. I would also suggest, for a broad, comprehensive, and beautifully written "Bible" on understanding jazz, Mark Levine's "The Jazz Theory Book."
James K. Kroger, Ph.D.
Department of Psychology, New Mexico State University
Applying harmonic analysis principles with harmonized scale charts for scale selection and chord substitution.
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution.
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Contents
- Introduction
- Basic Concept
- The Harmonized Chord Scale
- Root Movement Analysis
- The Six Harmonic Principles (Overview)
- Full Diatonic
- Determining Tonality
- Partial Diatonic
- Secondary Dominants
- VI7 - V of II
- VII7 - V of III
- I7 - V of IV
- II7 - V of V
- III7 - V of VI
- Chained Secondary Dominant Cycles
- Diminished Chords?
- Determining a Modulation
- Pivot or Double Function Chords
- Common Modulations
- Common Major Keys
- Common Chord Progressions
- Chord's Harmonic Function
- Im ImL7 Im7 Im6
- Im7 Im7+5 Im6
- Picardy Third
- Chromatic Sevenths
- Confirmation Sequence
- Vertical Scale Choices
- Horizontal Scale Choices
- Full Diatonic Chords
- Partial Diatonic
- Internal Modulation
- Unresolved
- Cycle
- Chromatic
- The Lydian Scale Uses vs Ionian Scale
- Direct Substitutions
- Replacement
- Expansion
- Substitution Characteristics
- Superimposed
- Non Superimposable
- Note Substitution
- Inversions
- Linking
- Re-harmonizations
- Diatonic Substitutions
- Passive
- Active
- The Minor Third Substitution Principle
- bVII7
- bII7
- III7
- Major Key
- Minor Key
- Harmonic Minor
- Tonic Minor
- Ionian
- Dorian
- Phrygian
- Lydian
- Mixolydian
- Aeolian - FILE MISSING: ../../pdf/RMA1_pg78.pdf
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D Aeolian row was wrong on chart. Download a new page 78
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- Locrian
- Blues Major
- Blues Minor
- Pentatonic
- 6/2/2006 - Updated ISBN number to new ISBN-13 number.
- 10/24/2004 - 20041024.1.1 - Fixed a few typos.
- 4/1/2004 - New color cover.
- 1/25/2004 - Several changes made and additional common progressions added. Version 200401252230
- 1/19/2004 - Page 78 Aeolian chord chart D Aeolian row wrong. All future versions of the book will reflect this change. Version 200401201100
- 12/16/2003 - Errata File Created
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Related Book Info
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Related Book Info
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ISBN-13: 978-1-60321-011-9 Published: July 2007 Pages 74
Testimonials
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(Regarding QUICKSTART Scale Fingerings for Ukulele) The ukulele book arrived, it must have been chatting with some Christmas cards somewhere.
The books are great!! I am very happy to wrap the books up, and put them under the tree.
My husband and I are both learning to play ukulele and he is also playing a little bit of guitar. Thanks also for sending the full catalogue. These look like some of the best materials that I have found so far!
Thanks, Laura C.
(Regarding QUICKSTART Scale Fingerings for Ukulele) ... I was looking for blues chording info but your site came up as jazz chords. I figured soon or later I would need jazzer chords so here I am. Plus nobody else is offering more indepth info on the uke, I liked the scale one the best so far.
Thank you RDGauthier
I wanted to pay you a compliment. (Now don’t get a big head!). I have purchased many books over the past 15 years I have been playing and none of them come even close to having the detailed and easy to understand information yours have. I really got a chance to get some practicing in and am finding your books to be such a great learning tool. I also purchased a timer like you suggested and my practice sessions the past 4 days have been my best in years. Take care.
Nick (Matty) Matyszczak
If you ask, "When I'm playing a solo over a jazz song, how do I know which notes work at any point in the song?" then you may want to have a look at this book (Harmonic Analysis for Scale Selection and Chord Substitution)
You can glean this information from many sources, but this is a pithy, direct approach to the heart of the answer you're looking for. I would also suggest, for a broad, comprehensive, and beautifully written "Bible" on understanding jazz, Mark Levine's "The Jazz Theory Book."
James K. Kroger, Ph.D. Department of Psychology, New Mexico State University
Harmonic Analysis for Scale Selection and Chord Substitution.
If you ask, "When I'm playing a solo over a jazz song, how do I know which notes work at any point in the song?" then you may want to have a look at this book:
You can glean this information from many sources, but this is a pithy, direct approach to the heart of the answer you're looking for. I would also suggest, for a broad, comprehensive, and beautifully written "Bible" on understanding jazz, Mark Levine's "The Jazz Theory Book."
- James K. Kroger, Ph.D. Department of Psychology, New Mexico State University
JazzGuitarLife.com
(A review of The Advanced Guide to Guitar Chords Vol.1 by Lyle Robinson of JazzGuitarLife) ...When I received this instructional book for review my first question was, “where was Curt Sheller when I needed him twenty years ago?” If I had access to this book early on I would have most likely progressed quicker than I did, especially when faced with a lead sheet from a fake book with all those “weird” chord names and alterations.
Sheller’s “The Advanced Guide to Guitar Chords Vol.1” provides the beginner and intermediate jazz guitar player with the most common and great sounding chord voicings of all the major, minor, dominant, augmented and diminished chords plus their alterations: 9, 11, and 13ths. As well, he discusses the sus, add, and slash theory of such chord formations.
This is a text that is beautifully laid out and very easy to work through. What little chord theory there is throughout the book is clearly explained and doesn’t bog the student down with too much theoretical discourse. The chord diagrams are clearly defined and there is no confusion about where fingers should be placed. This is definitely a book that you can begin utilizing in a practical playing situation almost immediately. And it’s great for teachers to get their beginning Jazz guitar students to start hearing and playing those wonderful voicings that excited us all early on in our development as Jazz guitar players.
“The Advanced Guide to Guitar Chords Vol.1” is a great beginning for any aspiring Jazz guitarist and I can't wait to check out Volumes two and three.
Thank you Lyle Robinson














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